In Cannes is Quentin Tarantino’s Once Upon a Time in Hollywood in wereldpremière gegaan. De film maakt kans op de Gouden Palm en inmiddels staan de eerste reacties online.

Quentin Tarantino’s brilliant exploitation black-comedy Once Upon A Time In Hollywood finds a pulp-fictionally redemptive take on the Manson nightmare: shocking, gripping, dazzlingly shot in the celluloid-primary colours of sky blue and sunset gold. Review later #Cannes2019

— Peter Bradshaw (@PeterBradshaw1) May 21, 2019

https://twitter.com/DonaldClarke63/status/1130887494789160960

I reeeeally liked ONCE UPON A TIME IN HOLLYWOOD #Cannes2019

— Evil Emma Stefansky (@stefabsky) May 21, 2019

Once Upon A Time… In Hollywood is so gloriously, wickedly indulgent, compelling and hilarious. The film QT was born to make. The world is a more colourful place in Quentin Tarantino’s twilight zone. Round two, please. #Cannes2019

— Joe Utichi (@joeutichi) May 21, 2019

ONCE UPON A TIME IN HOLLYWOOD: Tarantino wasn't joking when he said this was the closest to PULP FICTION that he has come. He juggles a mosaic of characters and story-lines in this one, eventually stringing them together for a relentlessly playful and touching finale. #Cannes2019

— Jordan Ruimy (@mrRuimy) May 21, 2019

ONCE UPON A TIME IN HOLLYWOOD: Why is no one tweeting about Margot Robbie? She's the heart and soul of this film. Her Sharon Tate is the most humane and resonant character of the entire movie. Almost every scene she's in is heartbreaking to watch. #Cannes2019

— Jordan Ruimy (@mrRuimy) May 21, 2019

To be completely honest I'm not yet sure what to make of Once Upon a Time in Hollywood. Need to let this one marinate, don't have an instant reaction. Most of the film is pretty good, I'm having fun watching them play around in late 60s Hollywood. Then the finale is HOLY FUCK.

— Alex B. (@firstshowing) May 21, 2019

As expected, Once Upon a Time in Hollywood is Tarantino referencing other films and TV and old Hollywood and good times in the 60s. Digging into his past and showing us, through perfectly crafted cinema, his feelings about moviemaking and artists and the Manson murders and more.

— Alex B. (@firstshowing) May 21, 2019

Once Upon a Time in Hollywood: Tarantino lays a gaudy, explosive counter-culture circus. DiCaprio & (especially) Pitt terrific value under the lights, while evil scurries in the shadows. Some, um, third-act issues but the film's highs are electric #Cannes2019

— Xan Brooks (@XanBrooks) May 21, 2019

I wouldn’t change a single second of Once Upon A Time … In Hollywood. It did not disappoint. #Cannes2019

— Damon Wise (@yo_damo) May 21, 2019

#PremiereReview once upon a time in Hollywood: the most enjoyable and cerebral Tarantino for some time Brad Pitt steals show as stuntman. Might need some tightening up in the February sequence in the edit before release but the August pay off is huge pic.twitter.com/yRUV6XPmjq

— Kaleem Aftab (@aftabamon) May 21, 2019

https://twitter.com/goodjobliz/status/1130886274640957440

Once Upon a Time in Hollywood or Tarantino’s bromance. Naturally in love with “the old timey movies” and LA. On set Western scenes are my fav. Wasn’t expecting to be so charmed by it #Cannes2019 pic.twitter.com/sp1fApO2I9

— Isabel Stevens (@IsStevens) May 21, 2019

ONCE UPON A TIME IN HOLLYWOOD is wonderful. it’s like tarantino is just dreamily reminiscing for our benefit. feels innocent somehow—lovely, pure, hilarious. witnessing robbie, dicaprio, & pitt pristinely embody 60s LA is enough to make it great. and👏🏼that👏🏼payoff👏🏼 #Cannes2019

— Luke Hicks (@lou_kicks) May 21, 2019

https://twitter.com/TimGrierson/status/1130888926590361600?s=20