Een duizelingwekkende dosis cinema


Antlers-regisseur Scott Cooper neemt het op voor de bioscoopervaring

door Vertigo

Nadat de bioscooprelease van zijn nieuwe film Antlers door het coronavirus werd uitgesteld heeft regisseur Scott Cooper (Crazy Heart, Hostiles) in navolging van Christopher Nolan een pleidooi gehouden voor de bioscoopervaring.

Daarvoor sloeg hij de handen in elkaar met de Amerikaanse National Association of Theatre Owners. In een open brief juicht Cooper toe dat de overheid financiële steun zal verlenen aan cinema’s in nood.

“De bioscoopsector is een belangrijk onderdeel van ons sociaal leven en verschaft ruim 150.000 jobs,” schrijft hij. “Films geven ons de kans om het verleden, het heden en de toekomst te verkennen. Ze creëren gesprekken en debatten.”

Lees de volledige brief hieronder:

I don’t have to remind anyone who reads this that we are experiencing a singular time in our nation’s history when nearly every theater in our country is closed (save for a few die-hard Drive-In Theaters). For the first time since D.W. Griffith’s 17-minute, In Old California, was beamed on a white canvas, in Hollywood, on March 10, 1910, there are no new feature-films to be found playing anywhere.

Not even during wartime have we been deprived of the strong and collective emotion that comes with a film screening, one of our most cherished common experiences. In this time of unprecedented challenge and uncertainty, the world mustn’t forget the importance of cinema as a balm for what ails us. The combined impact of images, sound, and special eects elicit deep feelings, and help us better understand our own lives, and those around us. Films speak to the most central aspect of “who we are”.

Along with the National Association of Theater Owners and moviegoers the nation over, I applaud the $2.2 trillion Senate aid package meant to ease immediate economic burdens across the country, and to allow movie theaters to cover fixed costs while normal revenue is interrupted. This is a welcome boost of confidence.

Any return to normalcy is far o, but this aid package is much-need positive news to an industry I cherish, and, one, along with so many other industries and citizens, that is suering. The exhibition of feature films is a vital part of our social life, and one that provides jobs to over 150,000 theater employees, all of whom are unemployed as a result of the closures. We must continue to work together to support an industry that is vital to our cultural and civic life.

Films will always allow us to explore the past, the present, and the future. They will create conversation and debate. Here’s to a future of good health, and to a return to our cinemas, where the synergistic impact of film continue to create a powerful sense of emotion and engagement — a living record of the human condition.

Scott Cooper
March 26, 2020
Los Angeles

Bron: The Playlist

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